When it does, the collision is robbed of its potentially interesting ideological conflict, as Luthor’s coercion is so hackneyed and transparent that it could have been cribbed from an episode of television’s Smallville. While the premise is succinct, this relentlessly po-faced film takes an inordinate amount of time to get to the star attraction. Gal Gadot brings energy and verve to Wonder Woman. Israeli actress Gal Gadot bags two of the film’s three good lines and bounds about with an enthusiasm that makes her upcoming solo Wonder Woman film a much more exciting proposition. Yet, Zack Snyder’s caped crusader outfits his vehicles with an arsenal of machine guns, mowing down anyone who gets in his way.Īs heavily signalled in the trailers, Wonder Woman joins the fray in the third act bringing some much-needed levity. One of the tenets of the character on the comic book page is that the tragedy that created Batman instilled a value for human life that will not allow him to kill his enemies. But fans are likely to be divided on how this dark knight is realised. The performers are committed, with Ben Affleck investing his older Batman with a playful ennui. The score is equally oppressive, with The Dark Knight (2008) composer Hans Zimmer and Dutch producer Junkie XL collaborating on a soundtrack of heavy percussion, synths, and choral music, which attempts to infuse even the most incidental scenes with an end-of-the world tension. But Batman v Superman is limited to the colour palette of an ashtray, which dulls an already dour film. Through villainous businessman Lex Luthor’s manipulations this enmity boils over into the superhero showdown promised by the title.Īs demonstrated by his past comic-book movies such as 300 (2006), Watchmen (2009), and Man of Steel, Snyder has an eye for composition and there are some impressive action beats. Superman, meanwhile, uses his alter ego, journalist Clark Kent, to investigate Batman – a vigilante “who thinks he’s above the law”.
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